For the titles, we decided to mix graphic text with handwriting. The typeface was an allusion to John Hughes’ The Breakfast Club whereas the handwriting was a reference to the original novel The Miseducation of Cameron Post by Emily M. Danforth. Included are other graphics made for the film as well as collateral created for promotional use. A film by Desiree Akhavan, the feature was the winner of the 2018 U.S. Grand Jury Prize at Sundance Film Festival.
directed by desiree akhavan / USA
domestic distribution by filmrise
client: beachside
Role: title & Graphic designer
